Pregled autorskog prava kroz prizmu glazbenih autorskih djela

master's thesis

• Title (english): Overview of copyright law through the prism of musical works
• Author: Luka Pavić
• Mentor: Romana Matanovac Vučković (mentor)
• Committee member: Romana Matanovac Vučković (predsjednik povjerenstva)
• Committee member: Marko Baretić (član povjerenstva)
• Committee member: Tatjana Josipović (član povjerenstva)
• Granter: University of Zagreb; Faculty of Law; (Civil Law); Zagreb
• Defense date and country: 2025-02-18, Croatia
• Scientific / art field, discipline and subdiscipline: SOCIAL SCIENCES; Law

Abstract

Autorsko pravo, u subjektivnom smislu, jest isključivo pravo autora na raspolaganje njihovim književnim, znanstvenim ili umjetničkim djelima, te djelima iz drugih područja stvaralaštva. U ovom radu fokusiramo se na autorsko pravo sagledano kroz prizmu glazbenih djela, kao autorskih djela izraženih zvukom. O sadržaju autorskog prava govoriti ćemo u kontekstu terminologije specifične za glazbenu industriju, a koja koristi pojmove kao što su mehanička, mala i sinkronizacijska prava. Rad također govori o raspolaganju glazbom i glazbenim djelima u pravnom prometu, o nekim ograničenjima takvog raspolaganja te o načinima ostvarivanja autorskog prava s naglaskom na sustav kolektivnog ostvarivanja prava u Hrvatskoj. Na kraju, kroz rad pratimo prilagodbu pozitivnih zakonskih propisa autorskog prava zahtjevima digitalnog tržišta i modernog društva.

Abstract (english)

Copyright, in the subjective sense, is the exclusive right of authors to dispose of their literary, scientific or artistic works, as well as works from other fields of creativity. In this thesis, we will focus on copyright viewed through the prism of musical works, as works of authorship expressed through sound. We will talk about the content of copyright in the context of terminology specific to the music industry, which uses terms such as mechanical, small and synchronization rights. The thesis also talks about the exploitation of music and musical works in legal transactions, about some limitations of such transactions and about the ways of exercising copyright with an emphasis on the system of collective management of copyright in Croatia. Finally, through our work we monitor the adaptation of positive legal regulations of copyright to the requirements of the digital market and modern society.

• Keywords: autorsko pravo; glazbeno djelo; glazba; mala i mehanička prava; digitalno tržište; glazbeni publishing; privatno kopiranje; kolektivno ostvarivanje prava.
• Keywords (english): copyright; musical work; music; small and mechanical rights; digital market; music publishing; private copying; collective management of copyright.
• Language: croatian
• URN:NBN: urn:nbn:hr:199:406698
• Study programme: Title: Law; Study programme type: university; Study level: integrated undergraduate and graduate; Academic / professional title: sveučilišni magistar/magistrica prava (sveučilišni magistar/magistrica prava)
• Type of resource: Text
• File origin: Born digital
• Access conditions: Open access
• Created on: 2025-03-11 09:01:22